Pro Digital Cinema Cameras

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Equipment

ARRI ALEXA 35-4.6K Super 35 Digital Cinema Cam

ARRI’s new ALEXA 35 camera is already making waves in the cinematography world, and we are happy to provide you with the latest info. Boasting a new sensor design and new color science, the ALEXA 35 is a brand new camera with 17 stops of dynamic range (2.5 more than previous ALEXA cameras), and a familiar Super 35mm camera package with a host of dedicated accessories that will fit into established on-set workflows. Truly a 4K camera with a 4.6K resolution sensor that fulfills the mandates for 4K origination while using a Super 35mm-sized sensor, the ALEXA 35 delivers not just the tech specs, but it also expands the creative potential of your images. This is a truly massive achievement by ARRI, and it does away with the two-form-factor approach of previous ALEXA cameras where the smaller version sacrifices some of the high-end features of the larger cameras. There is no larger-sized version—the ALEXA 35 is compact, yet sacrifices none of the high-end features.

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ARRI ALEXA Mini LF- Large Format 4448 x 3096 Sensor

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF (LPL) camera in this Lens Mount Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI’s LPL lens mount that has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

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ARRI ALEXA Mini-4:3-ARRIRAW License (EF)

Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mounts, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

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ARRI ALEXA Mini-4:3-ARRIRAW License (PL)

Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mounts, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

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Canon Cinema EOS C300 Mark I Camcorder (EF Lens Mount)

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon’s existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.

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Canon Cinema EOS C300 Mark II Camcorder (EF Lens Mount)

The Canon C300 Mark II offers superb image quality with its XF AVC Codec – an H.264 format with a widely-supported MXF wrapper. Creative possibilities such as high-speed, slow motion and time-lapse are now available in post-production. There’s also a wide choice of colour gamuts to suit any workflow and final output medium, including Canon Cinema Gamut, DCI-P3 and BT.2020

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Canon Cinema EOS C300 Mark III Camcorder (EF Lens Mount)

The Canon EOS C300 Mark III Digital Cinema Camera can create great cinema quality footage, with its Super 35mm Dual Gain Output sensor featuring up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.

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